Borrowed

Celebrations of the nation’s 250th anniversary can feel like a party not everyone is invited to, especially for those whose immigration status is in limbo. In this episode, Haitian-American writer Edwidge Danticat talks about the impact of transnational migration has had on her writing, and the kind of party she wanted to throw for America’s 250th anniversary. (Hint: it has to do with books!)

When award-winning author Jacqueline Woodson sat down to write her family’s story of the Great Migration, she wanted to make it accessible to all kinds of readers. So she wrote a children’s book called This Is the Rope. In this episode, Woodson talks about the importance of preserving the stories of our ancestors, and of course… her love of Brooklyn. 

Jose Antonio Vargas is a journalist, filmmaker, and author of the book Dear America: Notes of an Undocumented Citizen. He came to the US from the Philippines when he was twelve years old, and he didn’t discover he was undocumented until he was sixteen. We talk with him about his unique perspective on America and what it means to be a citizen.

When Silent Spring came out in 1962, it was an instant best-seller and led to the establishment of the EPA, as well as the ban of harmful pesticides such as DDT. But Rachel Carson’s seminal work also shifted our way of thinking about nature. For the first time, the environment was not just something out there that could be tracked and measured, but something that lived inside all of us. 

Molly Crabapple is an artist and writer who documents the extremes, from nightclubs to war zones. She’s also the author of several books, including Drawing Blood and Brothers of the Gun, a memoir of the Syrian War co-written with Marwan Hisham. We sat down with Crabapple to talk about the difference between words and images, making art in the world, and the power of cartoonists to disrupt fascism.

Art Spiegelman is the Pulitzer Prize-winning author of the graphic novel Maus, the story of his parents’ experience during the Holocaust. We got to sit down with Spiegelman at Brooklyn Public Library’s recording studio earlier this month to talk about Maus almost forty years after it first came out, about censorship, about the war in Gaza, and about what it means to stand up for others.

Art Spiegelman’s Maus almost single-handedly elevated comics from throw-away inserts in newspapers to a serious literary art worthy of winning the highest award in book publishing. But it’s not an accident that this book is coming back to us now. Maus was swept once again into the public eye three years ago, when the conservative movement to target marginalized stories took aim at the beloved graphic novel. In this episode, we examine how comic book censorship in the 1950s led to the creation of Maus, and eventually shifted the way we tell stories about resistance, memory, and authoritarianism.

Matt de la Peña is the Newbery Medal-winning author of seven Young Adult novels and five picture books. We talked with him about writing small stories and what it means to write a book that is, as he calls it, “Diversity 2.0.”

Meg Medina is an award-winning author of books for kids and young adults, and she was the 2023-2024 National Ambassador for Young People’s Literature. We talked to her about what it meant to be the first Latinx author in that role, about the need for more diverse kids books, and the importance of reading in families.

The Snowy Day wasn’t the first picture book to feature a Black child as its beloved protagonist, but it might be the most visible. When it came out in 1962, it challenged the publishing industry to champion books that depict kids of color. Today, we find ourselves in a moment not so different from the one Ezra Jack Keats was in when he sat down to create The Snowy Day. We are, once again, fighting for the right to let kids read the books they love, and we’re still reminding each other that the characters kids see in those books really matters.