SUHALY BAUTISTA-CAROLINA: WHERE ART & LIFE MEET
Art & Society Census Working Group
April 6,13, 20, 27// Tuesdays at Noon
Working groups are free, facilitated courses, meeting once per week online for the month of April. Register for this first event and you are registered for the entire course. For questions or to get on a waiting list once registration is closed, please email cfisher@bklynlibrary.org.
We’ve received the first wave of responses from the Art & Society Census, a project dedicated to hearing about what you desire from arts and culture. We’ve invited experienced Facilitators to lead virtual public working groups, focusing on specific issues based on popular interest.
For the first two weeks, this working group will focus on WHERE ART AND LIFE MEET. The second two weeks will focus on Visioning, imagining the kinds of arts experiences and spaces we want. A public event in June with leaders from the arts & culture field will share the results of these discussions.
Where Art and Life Meet
Key questions: How does art help us encounter our world? What is the relationship between cultural experiences and our everyday lives? How do we find both reflections of our lived realities, as well as joy and the unexpected within cultural spaces? How should cultural spaces cultivate this multiplicity of experiences?
More Info About Art & Society Census
About the Facilitator
Suhaly Bautista-Carolina (she/her) is an herbalist, educator, arts administrator, and community organizer whose work is rooted in the collective wisdom and power of community. Throughout her roles at the Caribbean Cultural Center African Diaspora Institute, Creative Time, ArtBuilt, and Brooklyn Museum, Suhaly has centered radical care and love as essential values in the arts and culture landscape. In 2019, Suhaly joined The Met as Senior Managing Educator of Audience Development and Engagement, and was recently named a 2021 Women inPower Fellow at the 92Y’s Belfer Center for Innovation and Social Impact.
Photo: Elena Mudd
Art & Society Census is funded by the Emily Hall Tremaine Foundation’s Innovation Fund.
