Chester Higgins: Sacred Nile, the missing link (ASL)
Room: Languages & Literature, 1st Floor
SACRED NILE is a photo history book that connects us to the buried foundational links of our heritage and uncovers the African influence on philosophy, spirituality, and religion before Genesis and slavery. Black people are taught everybody’s history except our own. SACRED NILE reveals in situ evidentiary visual evidence you never knew existed and that is beyond your imagination. He who steals our past controls our future narrative.
SACRED NILE represents a sidestepping of the racist historical narratives that seek to divorce the dynamism and foundational importance to the birth of civilized society from its origins in the Nile Valley with visual proof.
With his camera, Chester Higgins “wrestles with issues of memory, place and identity, he sees his life as a narrative and his photography as its expression. His art gives visual voice to his personal and collective memories. It is inside ordinary moments where he finds windows into larger meaning. Light, perspective, and points in time are the pivotal elements he uses to reveal an interior presence within his subjects as he searches for what he identifies as the Signature of the Spirit. The work of Chester Higgins challenges us to see the full breadth of our humanity. Through his portraits and studies of living rituals, traditional ceremonies and the monuments and ruins of ancient civilizations, viewers gain a rare insight into cultural behavior — a window to another place and time.
Higgins is the author of eight collections: Black Woman, Drums of Life, Some Time Ago, Feeling the Spirit: Searching the World for the People of Africa — a comprehensive look at the African Diaspora — and Elder Grace: The Nobility of Aging. His memoir entitled, Echo of the Spirit: A Photographer’s Journey and illustrated Ancient Nubia: African Kingdoms on the Nile. His most recent book, Sacred Nile, explores the ancient migratory route of faith along the River Nile. Higgins photographs have appeared in ArtNews, New York Times, Nile Magazine, Explorers Journal, and Archaeology. His work is the topic of two PBS films, “An American Photographer: Chester Higgins Jr.,” and “Brotherman” and has been featured on CBS: “Sunday Morning News,” PBS: “The NewsHour,” ABC: “Like It Is,” “Freedom Forum” and CUNY TV “Tony Guida’s New York.”His solo exhibitions have appeared at the International Center of Photography, The Smithsonian Institution, The Museum of African Art, The Museum of Photographic Arts, The Schomburg Center, The Newark Museum, National Civil Rights Museum, The Field Museum of History, The New-York Historical Society, the Windows Gallery/Kimmel Center of New York University, The Dapper Museum in Paris and the Birmingham Civil Rights Institute. Higgins was recently honored with his induction into the International Photography Hall of Fame. He is the recipient of grants from The Ford Foundation, the Rockefeller Foundation, the International Center of Photography, the Open Society Institute, The National Endowment for the Arts and the Andy Warhol Foundation (ICP). In 2014 he retired from The New York Times as a staff photographer after 38 years of contributing images to the paper.
Room: Languages & Literature, 1st Floor
SACRED NILE is a photo history book that connects us to the buried foundational links of our heritage and uncovers the African influence on philosophy, spirituality, and religion before Genesis and slavery. Black people are taught everybody’s history except our own. SACRED NILE reveals in situ evidentiary visual evidence you never knew existed and that is beyond your imagination. He who steals our past controls our future narrative.
SACRED NILE represents a sidestepping of the racist historical narratives that seek to divorce the dynamism and foundational importance to the birth of civilized society from its origins in the Nile Valley with visual proof.
With his camera, Chester Higgins “wrestles with issues of memory, place and identity, he sees his life as a narrative and his photography as its expression. His art gives visual voice to his personal and collective memories. It is inside ordinary moments where he finds windows into larger meaning. Light, perspective, and points in time are the pivotal elements he uses to reveal an interior presence within his subjects as he searches for what he identifies as the Signature of the Spirit. The work of Chester Higgins challenges us to see the full breadth of our humanity. Through his portraits and studies of living rituals, traditional ceremonies and the monuments and ruins of ancient civilizations, viewers gain a rare insight into cultural behavior — a window to another place and time.
Higgins is the author of eight collections: Black Woman, Drums of Life, Some Time Ago, Feeling the Spirit: Searching the World for the People of Africa — a comprehensive look at the African Diaspora — and Elder Grace: The Nobility of Aging. His memoir entitled, Echo of the Spirit: A Photographer’s Journey and illustrated Ancient Nubia: African Kingdoms on the Nile. His most recent book, Sacred Nile, explores the ancient migratory route of faith along the River Nile. Higgins photographs have appeared in ArtNews, New York Times, Nile Magazine, Explorers Journal, and Archaeology. His work is the topic of two PBS films, “An American Photographer: Chester Higgins Jr.,” and “Brotherman” and has been featured on CBS: “Sunday Morning News,” PBS: “The NewsHour,” ABC: “Like It Is,” “Freedom Forum” and CUNY TV “Tony Guida’s New York.”His solo exhibitions have appeared at the International Center of Photography, The Smithsonian Institution, The Museum of African Art, The Museum of Photographic Arts, The Schomburg Center, The Newark Museum, National Civil Rights Museum, The Field Museum of History, The New-York Historical Society, the Windows Gallery/Kimmel Center of New York University, The Dapper Museum in Paris and the Birmingham Civil Rights Institute. Higgins was recently honored with his induction into the International Photography Hall of Fame. He is the recipient of grants from The Ford Foundation, the Rockefeller Foundation, the International Center of Photography, the Open Society Institute, The National Endowment for the Arts and the Andy Warhol Foundation (ICP). In 2014 he retired from The New York Times as a staff photographer after 38 years of contributing images to the paper.